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No need to give a comprehensive recap of the story here … Pete Townshend arranged the Rainbow "return" of the concert (Eric Clapton's Rainbow Concert) as post-treatment for heroin addiction Eric. The show … while to be applauded for their commitment … is sloppy and experimental, as one might expect that, given the circumstances. That said, "461 Ocean Boulevard" was the true "comeback" album for Clapton.br / br / It 'more relaxed than the fans of Cream, Derek The Dominos, or a solo album earlier Clapton(Eric Clapton) might expect. The late Carl Radle is at hand from Dominos, as Yvonne "Jesus Christ Superstar" Elliman on vocals. The rest of the core band, which is reinforced by the presence of guest musicians, and Dick Sims on keyboards, vocals Terry George on guitar, and Jamie Oldaker on drums.br / br / For "Phase I" return Clapton, this is the effort overall much stronger. Fans are already familiar with the "Cream Killer" story … Clapton read a review of RollingStone on a concert by Cream, who has slammed the band for its endless and aimless noodling, which caused urged him to seek inspiration elsewhere (notably The Band's Music from Big Pink, by virtue of its success through song – based, rather than based jam music). br / br / In the original version, the winning songs were "Please Be With Me" by Tommy Talton of Cowboy (which appears also in a beautiful, friendly, an amazing album Tish Hinojosa Taos to Tennessee), "Let it grow "(strong harmonyvoice and a dynamic fade-out). There is debate about Clapton "I Shot The Sheriff," but as a fan of Bob Marley, give to Caesar what is due. Bob appeared often on American FM radio frequencies after the release of the song Clapton. Just like Elvis, the Beatles and the Rolling Stones covered American music and put it in the hands of American record buying public, Clapton Bob exposed to a wider audience. No apologies are necessary or offered.br / br / It also provides the necessary RobertJohnson song, "Man Steady Rollin '", and "I Can not Hold Out" by Elmore James. From there, it's a matter of personal preference.br / br / EC couple of albums would be universally slammed the rock press for being too relaxed and lifeless. It was not until No Reason to Cry, who entered the second and more dynamic phase of his solo career, along with Bob Dylan, Ronnie Wood, and members of Band.br / br / "461 Ocean Boulevard" is a key chapter in story of a musician who becamea head on. Clapton has remained true to its roots, he shared the spotlight with his heroes and influences, and will always have my respect and admiration for doing so. br /
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The 1974 album on which Clapton’s solo career truly caught fire, I461 Ocean Boulevard/I is best remembered for its hit version of Bob Marley’s “I Shot the Sheriff”–perhaps the first time many in America ever heard the rhythms of reggae music. But it’s also an album on which emotions run high, especially on two Clapton originals, the prayerful “Give Me Strength” and the pleading “Let It Grow.” Clapton maintains his grounding in the blues with versions of Robert Johnson’s “Steady Rollin’ Man” and Elmore James’s “I Can’t Hold Out”; revisits a rock roll classic in Johnny Otis’s “Willie and the Hand Jive”; and turns the standard “Motherless Children” into a showcase of snarling guitars. Following a period of dark reclusiveness, i461 Ocean Boulevard/i was a powerful comeback for Clapton. I–Daniel Durchholz/I
Sunny Florida Blues – Carsten Knoch – Toronto, ON Canada
I can not remember where I got this, just that I felt when I was a teenager. Before this, I had only read Clapton – Guitar Slinger where legendary British fans had spray-painted "Clapton is God" on a subway station during his tenure with John Mayall and the Bluesbreakers widely viewed as "right up there 'with Jimi Hendrix and other A list guitarists.br / non br / 461 Ocean Boulevard has really sound like that guy – or at least not like what I imaginethat guy sounds like. It's groovy, funky, low-key but energetic and has the energy of a great record together, not a selfish effort by only a guitar god. Recorded in Miami in 1974, the title refers to Clapton's home address during that period.br / br / I think that this music has held up very well over the years – is a kind of masterpiece of rock blues Clapton showing broad musical interests. Long before punk made used to have reggae influences,This record features the famous version of "I Shot the Sheriff." Other standouts are Elmore James ' "I Can not Hold Out," Robert Johnson's "Steady Rolling Man" and Johnny Otis' "Willie and the Hand Jive." Br / br / I love the subtleties of this: as Clapton's guitar is always the most elegant thing I've ever heard – not too flashy, not too subdued, not too distorted, as the voice of Clapton – often a point of discussion but in fact very strong here – merges with Yvonne Elliman (and band)choirs. 461 Ocean Boulevard is a perfect demonstration of what was great about classic rock, when it was firmly rooted in rock `n roll and roots RB.EAT ANOTHER PEACH
– JON STRICKLAND – Smithfield, NC United States
Just like Songs in the Key of Life is perhaps several years after the fact, a monumental classic Stevie Wonder has not yet been able to equal its subsequent message, the same can be said for 461 Ocean Boulevard than forthcomings' s last more than the immortal blues guitarist, Mr. Eric Clapton.br / br / Released in 1974, 461 Ocean Boulevard is an album without prior reference point in itself. With the inclusion of the number one hit cover of Bob Marley's "I ShotSheriff, "is perhaps the primary catalyst to the never-before-seen scene multiplatinum-selling international reggae artists, the first and most famous is Mr. Marley himself. It is also probably the only version that does not reload, but also supercharged a career with a future in doubt because of the drug before and band break-ups, especially Derek and the Dominos, it would be prolific and enduring.br / br / Other tracks include the introduction of large,"Motherless Children", with guitar work by Clapton mark as the top 40, "Willie and the Hand Jive." Also contained the staple "Let It Grow." Throughout the release is the presence of a chorus girl who would reach notoriety about three years later with the release Saturday Night Fever soundtrack. Who is this person? It is none other than Yvonne Elliman, who was his number one hit with the Bee Gees' "If I Can not Have You". Br / br / In short, the questions probably aroseprior to 1974 if there would be no further projects Clapton, and with the untimely death of close friends and great companions guitar, Jimi Hendrix and Duane Allman. Fortunately, Clapton is still around. Although his works from the mid-1970s onwards, from a artistic point of view, it can not match the masterpiece which 461 Ocean Boulevard, its decisions to kick drug habits and keep his legacy as a artist who continues to inspire artists present and future arepersonal triumphs that are far more important than any one particular work of art. br /Steady Rollin’ Clapton – Neo-beatnik –
I thought working Clapton during the 70s could not get any better than Derek and the Dominoes, but I was wrong. 461 Ocean Boulevard. is a great mix of traditional blues, like Robert Johnson's Man "Steady Rollin '" and the opening track, "Motherless Children" is a beautiful collage of distorted blues guitar (Terry George, with Clapton). "Motherless Children" should be played on classic rock stations a lot more than that is.br / br / The album also features Clapton hits like "I Shot the Sheriff" and "Let ItGrow, "but he plunges into unfamiliar funky tracks like" Get Ready "and" I Can not Hold Out. "It's acoustic leanings on" Give Me Strength "and" Please Be With Me "are great to listen, because you get hear Clapton on guitar alone, probably, where he began his blues roots.
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